Cantorial Comments

By

Cantor Elihu Feldman

 

 

The Father of Jewish Folk Music Lives On

 

Last month we observed the eighth yahrtzeit of one of the greatest folk singers of Jewish songs that ever lived.  I would like to dedicate this article to his blessed memory.  Rabbi Shlomo Carlebach, the "father of Jewish Folk music", affectionately also called by many "the singing rabbi", passed away five years ago unexpectedly while on a plane preparing to leave for Israel.  Despite the controversy over the person, Shlomo Carlebach earned his place in the world of Jewish music by having composed over a thousand Jewish folksongs and negunim (tunes) in the thirty years that he was active on the Jewish music scene.  In almost every synagogue, every Hebrew school, day school and yeshiva, songs composed by Shlomo Carlebach are a mainstay.

 

No one can dispute Shlomo's great contribution to the field of Jewish music and his appeal to thousands upon thousands of listeners both here and in Israel.  For Shlomo reached out to the unaffiliated, disenchanted and unconnected Jew, to the drug addicted, to hippies on campus, to the religious and the irreligious, and to the Jew as well as non Jew.  He made everyone his family by calling them brother or sister.  His music is loved by Conservative, Orthodox and Reformed Jews as well.  Yet, this is a man who, although an excellent performing artist, composer and song writer, provoked a lot of controversy among many of his religious listeners.

 

Beloved by many, Shlomo and his music were scorned by the right-wing Orthodox establishment because of the controversial "House of Love and Prayer", which he opened in California, and his many public appearances in which he openly embraced young attractive women despite his Hassidic deportment, tzzizit flying, long beautiful beard and curly hair.  He was just too much of a challenge for the establishment. Shlomo suffered greatly because of this animosity and ill will. I invited Shlomo to entertain at my son Alexander's school on the occasion of his Bar Mitzvah celebration, but it did not work out.  The school would not permit this once controversial man to perform for its student body. Yet, after his demise, a special assembly was held in which many of the faculty recounted the stories he told and sang many of Shlomo's songs.

 

Shlomo was born in Berlin fifty seven years ago.  Of interest to us locally, was that he was one of the best students to be produced at Rabbi Kotler's Yeshiva in Lakewood, New Jersey He was ordained as a rabbi and obtained a masters degree in social work and, at the time of his death, was pursuing a doctorate of philosophy

 

I first met Shlomo when I was an adolescent, when he was staying at my cousin's home in NYC.  The two of them were jamming together and I was invited to come over, sing and play accordion as background while we harmonized.  Little did I know that was the rehearsal for the concert that we were to perform at a local synagogue at 4:30 that afternoon.  You see that was the way Shlomo was.  Although he was a great performer, he was as unassuming, friendly and down to earth a human being as one could find.  I then met Shlomo several other times at concerts in the metropolitan area.  Marcia and I attended a concert so thrilling and inspiring that when Shlomo invited the audience to come on stage to dance and sing with him, security had to be called to stop the performance and the throngs of people that came up to the stage.  I next met Shlomo at Town and Campus at a wedding where his greeting to me was, 'How are you my brother." That warmed my heart.  He performed a wonderful wedding ceremony, which included song, stories and words of wisdom.

 

Here is one of Shlomo's stories.  Every time I retell the story it warms my heart.  Once there was a Jerusalem taxi cab driver.  He picked up a fare who complained what a hard day he was having.  The cab driver responded by saying that he had lost 3 brothers in Israeli wars.  The passenger responded by drawing back his sleeve and revealing tattooed numbers on his wrist.  The tax driver took an intense look at the numbers and invited the passenger to his home for tea.  The tired passenger agreed.  As the passenger entered the home his brother whom he had not seen in over 30 years greeted him.  It seems that the numbers on the passenger's wrist and those of the cab driver's father were sequential and they were long lost brothers.

 

This story exemplifies Shlomo Carlebach's soul.  It is a soul that has now gone on to entertain in Heaven.  Shlomo's life ended too soon and very sadly.  At his levaya (funeral) collections were made to assist in the funeral costs.  Several hundred people gathered to pay tribute to this great man and in his tribute after the eulogy began to sing many of Shlomo's songs.  It is ironic that a man who gave so much to so many, left so little for himself, and died penniless, was scorned by elements of the religious community that sings his songs.

 

Today there are Carlebach Minyanim all over the place and many of the heretofore Anti-Carlebachians sing his songs the loudest!

 

  Sincerely,

 

 

  Cantor Elihu Feldman